CoyoteFacts

Absolutely not trusting this. Uninstalling until we know more, and ideally just getting a different solution entirely. A new account tried to impersonate Catfriend1 directly at first, and then they switched to researchxxl when someone called it out (both are new accounts). Meanwhile the original Catfriend1 has provided no information about this, and we only have the new person’s word as to what’s going on. There’s way too many red flags here.

Semi-related for people whose distros don’t package deno, I installed deno in a distrobox and exported it with distrobox-export and yt-dlp picked it up just fine from my $PATH. Before I did so, running yt-dlp gave the following error:

WARNING: [youtube] No supported JavaScript runtime could be found. YouTube extraction without a JS runtime has been deprecated, and some formats may be missing. See  https://github.com/yt-dlp/yt-dlp/wiki/EJS  for details on installing one. To silence this warning, you can use  --extractor-args "youtube:player_client=default"  

I just want to note that Jellyfin MPV Shim exists and can do most of this MPV stuff while still getting the benefits of Jellyfin. You’re putting a lot of emphasis on Plex-specific limitations (which Jellyfin doesn’t have obviously) and transcoding (which is a FEATURE to stopgap an improper media player setup, not a limitation of Jellyfin).

Pretty much every single “Pro” is not exclusive to pure MPV vs. Jellyfin MPV Shim, which mainly leaves you with the cons. Also as another commenter said, I set my Jellyfin up so that my friends and family can use it, and that’s its primary value to me. I feel like a lot of this post should be re-oriented towards MPV as a great media player, not against Jellyfin as a media platform.

Mainly, HDDs are bigger and FLAC is future-proof for future audio formats, as well I think the death of What.CD has really impressed upon the next generation that preservation is of utmost importance. A lot of albums were fully lost during the transition to RED/OPS, and a good chunk of albums that used to have a lossless copy now only have lossy versions from those who kept MP3 libraries. IMO, piracy is ownership, and owning the master lossless copy so you can generate any other formats is that concept taken to its logical conclusion.

A lot of people just rip Qobuz, Deezer, and Tidal FLAC for free using shared keys that you can find on the megathread (“Knowledge & Tokens”). Autosnatchers will give you at least one snatch per upload. No one is actually buying most of that WEB FLAC. There also might be a big batch of freeleech tokens during December for kickstarting a library. Also, I’d recommend just going full FLAC from the start; MP3 is easier/smaller to snatch, but it’s 2025 and no one wants MP3, so long-term you’ll get the best results by perma-seeding a large FLAC library.